कल्याण गेसिंग

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Two o'clock! The song dies away, and Mona's brow contracts. So late!—the day is slipping from her, and as yet no word, no sign.,

Overcome by the heat of the fire, her luncheon, and the blessed certainty that for this one day at least no one is to be admitted to her presence, Lady Rodney has given herself up a willing victim to the child Somnus. Her book—that amiable assistant of all those that court siestas—has fallen to the ground. Her cap is somewhat awry. Her mouth is partly open, and a snore—gentle, indeed, but distinct and unmistakable—comes from her patrician throat.,

She lifts her luminous eyes to his, and regards him fixedly as she speaks, full of hopeful excitement. Her eyes have always a peculiar fascination of their own, apart from the rest of her face. Once looking at her, as though for the first time impressed with this idea, Geoffrey had said to her, "I never look at your eyes that I don't feel a wild desire to close them with a kiss." To which she had made answer in her little, lovable way, and with a bewitching glance from the lovely orbs in question, "If that is how you mean to do it, you may close them just as often as ever you like.",

"Yes, I suppose so," replies Mr. Rodney, reluctantly. "But he don't look like it. Hang it, you know," exclaims he, vehemently, "one can stand a good deal, but to have a fellow who wears carbuncle rings, and speaks of his mother as the 'old girl,' call himself your cousin, is more than flesh and blood can put up with: it's—it's worse than the lawsuit."

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"How d'ye do, Mrs. Rodney? Is Lady Rodney at home? I hope so," says Mrs. Carson, a fat, florid, smiling, impossible person of fifty.,

"So there is; something specially awful," responds Nolly, pensively. "She frightens me to death. She has an 'eye like a gimlet.' When I call to mind the day my father inveigled me into the library and sort of told me I couldn't do better than go in for Lilias, my knees give way beneath me and smite each other with fear. I shudder to think what part in her mediæval programme would have been allotted to me.",

Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of,

Here Mona and Dorothy grow suddenly deeply interested, and lean forward.